This short exercise is an excellent way to become a little bit more familiar with painting and colours. Use the tubes of gouache (magenta, cyan and yellow) lying around in your drawers, a paintbrush and a sheet of Canson® "C" à grain paper.
This short exercise is an excellent way to become a little bit more familiar with painting and colours. Use the tubes of gouache (magenta, cyan and yellow) lying around in your drawers, a paintbrush and a sheet of Canson® "C" à grain paper.
Magenta, cyan and yellow are the 3 primary colours. They are at the base of all the others: by mixing them with each other, you will be able to obtain every possible colour.
Look out! This is where it gets interesting! Tertiary colours are made up of 50% of a primary colour and 50% of a secondary one. They allow you to add nuances to your colours.
Here you can see green-yellow, orange-red and blue-green. Blue-green (or turquoise), for example, often comes up in conversations because nobody can ever really say for sure if it is blue or green, when actually it is...both!
This tertiary colour is in fact composed of 50% green (obtained by mixing cyan and yellow) and 50% cyan.
You may find it difficult to remember all of these combinations at first. It is therefore a good idea to print and hang the corresponding charts above your desk so you can access them whenever you need to.
The secret to successful colouring? Refrain from using an abundance of different colours so you maintain the harmony of your drawing. Here, for example, the pink of the tongue matches the colour of the gloves and glasses. The blue of the glasses matches the blue of the jumper. Even details such as the small bracelets are simple and done in colours which work with the rest of the character.
Practice finding your own colours by completing this drawing: colour the hat, tie and background (which should bring out the entire picture).
The coloured checks of the hat and tie contrast beautifully with the more understated colouring of the rest of the character. They are done, however, in the same tone!
The background must bring out the drawing without being too noticeable. Its job is to highlight the drawing as much as possible. You can use a light pink that goes with the mood of this model, but be sure the colour is subtle enough not to "interfere" with the expression.
Practice by drawing several different characters side by side. Colour each one of them with its own range of colours: this is how you will differentiate the one from the other.
You can get your inspiration from this model: